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However lowering of the exposure can be used to reduce the washing out of colors in pictures when the flash is used.At their worst, the whole picture will be a white square. Just like adding white paint to any color on a painting the same thing can happen to pictures when using flash and changing the exposure higher. Too much brightness can wash out a picture as too much flash. The opposite can be achieved in lower saturation settings for scary, cold, or moody pictures.īeware how flash and exposure affects colors in the picture. Fun, cheerful, festive photos can be enhanced with high saturation. Use different degrees of vividness to help enhance the atmosphere and feeling of a photograph.If you photograph a cloudy grey sky with peeks of blue increasing the saturation helps the blue stand out more. However there are times when high saturation can help a picture out.This will result in an unappetizing neon or fluorescent food effect unless the food is brightly colored like candy or Rainbow Sorbet. Don't use high saturation in food pictures.

A red leaf shot under lower saturation will likely reveal nuances of brown, pink and purple. Lowering the saturation can also bring out other next door neighbor colors that the dominating color were canceling out.Lower the saturation or vivid settings on your camera to correct this. The same happens when too much saturation is in photographs and videos.

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Ever tune the color settings on your TV to maximum? The colors start flaring out and running together making details, highlights, and shadows hard to pick out. Reduce the glare or blur of very highly saturated colors by reducing how saturated or how vivid they are using the color settings. Some cameras have smart portrait settings that let you adjust the color temps by skin, eye, make-up or foundation color.

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For some cameras, the color temperature setting chart is a series of colored squares or temperatures. If your camera doesn't have some of the settings listed on the options screen already it may be hidden in the 'shooting mode' or 'scene' options under different names like'romantic', 'dusk or dawn', 'snow'.Candlelight (warmest light that can appear orange).Halogen (pure white without any colors).Cloudy (spread out light softening colors,.The main white balance settings on most cameras are.You know this when you see the pure white, pure blacks or pure gray on the viewfinder(if there is any item in these colors). Unless you what to do a special color effect like Sepia (brownish cast) you need to set the White Balance on the camera settings to match the light temperature of the light source. White balance refers to the cast, or glow, that white areas and subjects appear in photography.

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Learn how to identify white balance settings in different situations.

If your object is an art project on a sheet of white paper or is surrounded with a lot of white without flash you are in a subtractive setting.

This system is also called the CYMK or Cyan, Yellow, Magenta, Black. This property is most commonly used in mixing colors with any art mediums not involving light. If you mix all of these colors together in equal parts you get black.

Subtractive colors are the results of what you if illuminate a colored filter from behind with the white light.

Whenever you're using high exposure or a flash you are adding a white light thus this is an additive color situation.

This color system is called RGB or Red, Green, Blue system. Whenever you use a lighted screen such as the computer screen you use this system. In this situation, if you add equal parts of red, green and blue you'll get white.

Additive colors are the result of adding white light to a color against a black background.

Once you learn how to correctly identify the color situation you're dealing with and how these situations affect different hues of color you can photograph colors more accurately. There are two color properties that can be helpful when trying to get photographed objects to turn out correctly. Like in any form of visual arts photography requires some knowledge about how colors react to light. Learn the difference between additive and subtractive color situations.

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